Criticism Surrounds New Biopic

The new Michael Jackson biopic Michael is facing growing backlash, not only for its reviews but for what it leaves out. Critics have pointed to the film’s decision to exclude the long-standing child abuse allegations against the late pop star.

Among the most vocal critics is Dan Reed, director of the 2019 documentary Leaving Neverland.

Director Calls Out Film’s Timeline

Filmmakers behind Michael have defended the omission by stating the story ends in 1988, before the first public allegations surfaced in 1993.

However, Reed dismissed that explanation, arguing that the timeline avoids addressing one of the most controversial aspects of Michael Jackson’s life.

He compared the approach to making a film about figures like Jeffrey Epstein without including their crimes.

Debate Over What Should Be Included

Reed also questioned whether a film about Jackson can be considered complete without addressing the allegations.

He argued that any honest portrayal would need to confront the issue directly, rather than avoid it entirely.

The biopic, directed by Antoine Fuqua and starring Jaafar Jackson, focuses primarily on Jackson’s early life and rise to fame.

Film’s Creators Defend Their Approach

Actor Colman Domingo, who portrays Joe Jackson in the film, has said the project was intended to focus on the making of the artist rather than later controversies.

He suggested there could be a sequel exploring later years, though no such project has been confirmed.

Ongoing Division Over Jackson’s Legacy

The film’s release has reignited long-standing divisions over Jackson’s legacy, with some defending his artistic impact while others continue to highlight the allegations made against him.

Reed, who previously directed Leaving Neverland, remains one of the most prominent voices pushing for those allegations to remain part of the public conversation.

A Debate That Shows No Signs of Ending

More than a decade after his death, Michael Jackson remains one of the most debated figures in music history.

Projects like Michael continue to draw attention not only for what they show, but also for what they choose to leave out.